- ---Home - - Artist Gwenn Seemel’s bilingual blog about art, portraiture, free culture, and feminism. The fine art of presenting your workArt should explain itself.
What we learned from writing 7,000 artist bios - artsy
There is too much art out there for simply excellent work to get noticed. An artist’s oeuvre requires a promotional machine behind it in order to attract an adequate audience.
Sometimes I resent how much energy promotion steals from studio time, but, on my better days, I integrate the marketing aspect of what I do with the rest of it The fine art of presenting your work There is too much art out there for simply excellent work to get noticed. and a website to show it off the rest of the time. I write separate artist statements for each series I create. Recognition in the press will lead to all sorts of good things, including awards, so press releases are the .
Since I believe that art isn’t art until it is seen—until someone engages with it—getting an audience is technically part of the creative process!So far as I can tell, this is what it means to present your work properly: And do it in a way that flatters your art.
Example project proposals - university of the arts london
While you don’t want that to be the case with your art, you do want to be able to compete in reproduction. 2) Have all the accoutrements of a professional artist. This means business cards and postcards to hand out, as well as a viewbook to show off your portfolio at functions (meetings with clients, auctions to which you have donated a piece, etc.
) and a website to show it off the rest of the time.
Art blogging: how to write a fantastic blog post - textileartist.org
My view book is a small black binder (the simple, inexpensive, vinyl-covered kind) with captioned images printed on card stock. I started my website when I was still in school, and, while it has changed quite a bit over the years, the basic layout and scheme remains the same…I’m not terribly imaginative that way! Still, the site serves its purpose. My only regret is that, to this day, I am mostly dependent on the WYSIWYG editor that my university promoted in its web design class: I wish I had learned to hand-code html from the beginning.
Fine art | university of oxford
You should know what your oeuvre as a whole is about and be able to sum it up in a sentence or two in order to be able to make work purposefully, but you don’t need to announce it to everyone. After all, if you have to explain to your audience what your art means, then your work isn’t doing what it’s supposed to anyway.
I write separate artist statements for each series I create 20 Jul 2017 - A portfolio is your best opportunity and often your only chance to make a lasting Online Portfolios: If you decide to set up an online portfolio or personal website, Agora Gallery receives hundreds of gallery representation visual images, your pricing list, and your resume, while an art writer will want to .
I view them as one more piece of art, no more or less important the painted works.
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When I was starting out, I was on the fence about granting bodies. I liked the idea of being recognized for my work in a financial but strictly non-commercial way, but I also had a need to do my thing without feeling beholden to anyone (I am a neurotic DIYer).
That said, I did end up applying for a grant in 2005.
How to write better essays: 'nobody does introductions properly
What an artist needs, first and foremost, is attention, not grant money. Recognition in the press will lead to all sorts of good things, including awards, so press releases are the place to focus writing efforts. Besides being the only way to get reviewed, announcements are an ideal way to practice writing about your work in an engaging—and to the point!—manner.
Show journalists and critics how easy and/or vital it would be to write about your series; make them want to tell the story of your work.